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           A series 
          of accidents has left Vivek Oberoi shaken, with some saying that 
          he is the victim of black magic, others praying for him and he himself 
          maintaining that he is "unbreakable".  
           
          The mild attempt at humour apart, Vivek is just hoping that "whatever 
          it is will stop". He also thinks it has nothing to do with his relationship 
          with Aishwarya Rai, who he had started seeing after "things" 
          started happening to him.  
           
          But despite the accidents, Vivek is on a roll, determined to 
          earn the tag of being versatile. He is on our TV screens for the Vanilla 
          Coke ad in an Elvis take off complete with gelled hair and frilly shirts. 
           
           
          He is also starring in the sex comedy "Masti", currently being 
          screened, and is gearing up for Mani Ratnam's "Yuva" being 
          released Friday - two completely different films on male bonding with 
          only Vivek in common.  
           
          In this freewheeling interview with IANS, Vivek talks about his future 
          projects, including Subhash Ghai's "Kissna", the success 
          of "Masti", the sheer pleasure of "Mani Sir" in "Yuva" 
          which he thinks is best performance to date and his co-star in the film 
          Kareena Kapoor.  
           
          Recently you suffered yet another accident. 
           
          Yes, terrible. It was on the sets of Subhash Ghai's "Kissna". Till recently, 
          I believed I was just plain unlucky. But now I feel there's more to 
          it. I have been warned to be careful because someone is practising black 
          magic on me. Subhash Ghai had a special 'pooja' for me. A lot of people 
          are praying for me. That is what is keeping me going. In the most recent 
          accident, if that iron chariot had landed on my head I'd have died. 
          So yeah, it's very scary. And honestly I'm worried. I can only pray 
          and hope good karma begets goodness.  
           
          I believe in good deeds. I just hope whatever it is will stop and spare 
          me from further mishaps. But they're recurrent and always on the left 
          side of my body. That's uncanny. It does bog me down. But like I said, 
          I'm unbreakable.  
           
          I hate being pushed to the corner. I hate being confined to bed. The 
          doctors prescribed three weeks of bed rest. But I recovered in eight 
          days. Luckily, the accident occurred on the last day of my schedule 
          for "Kissna".  
           
          Could this be a backlash to your relationship 
          with Aishwarya Rai?  
          I don't think so. Accidents started happening to me from even before 
          I started seeing Aishwarya. A lot of people resented the attention I 
          got for "Company". A lot of bigwigs felt slighted when I said no to 
          their projects. They said, 'Who the hell does he think he is?'  
           
          A lot of people wrote me off before "Masti". They thought I'd never 
          bounce back. So when "Masti" became such a big success they didn't like 
          that much either. In spite of "Main Hoon Na", "Masti" is still holding 
          on.  
           
          Are you proud of "Masti"?  
            Very 
          frankly, I never did it to acquire respect as an actor. Surprisingly, 
          women and kids have loved it. And if the kids don't get the innuendoes, 
          "Masti" is like a cartoon film for them. Let me tell you, women are 
          providing the repeat audience for the film. The fan mail that I'm getting 
          from overseas is amazing. They love my subtle sense of slapstick and 
          call me the perfect foil to Aftab and Ritesh. They think Ajay was damn 
          cool too. As far as I'm concerned, the negative responses are minimum. 
          Lots of families are seeing "Masti". Kids are fighting to get in despite 
          the Adults Only tag.  
           
          So would you want your children to see "Masti"? 
           
          A lot of my cousins from that impressionable five to 10 age group insisted 
          on seeing "Masti", though I was hesitant. To my relief, the innuendoes 
          went over their head. They just enjoyed the slapstick humour. My entire 
          family, parents included, couldn't stop laughing. My grandmother was 
          so amused! During shooting I did say no to what I wasn't comfortable 
          with but I stand by the film. I won't disown the film. Why would I do 
          anything I'm not comfortable with?  
           
          Your Parampara ad for Coke seems to be a rage?  
          The kids specially love it. And the day the ad went on air Vanilla Coke 
          was sold out everywhere by noon. I guess after "Masti" people liked 
          me in the spoof ad. I think the drink is aimed at kids and college students. 
          It's good to reach out to the audience, through films or ads.  
           
          So after "Masti", do you think audiences will 
          accept you in the serious role of "Yuva"?  
          Most certainly. Why not? Audiences come to see characters, not stars 
          doing specific things... or so I'd like to believe. My conscious effort 
          has always been to break away from the boxes I'm put in. From "Company" 
          I went to "Saathiya", which no one expected from me. When I decided 
          to do a sex comedy like "Masti", everyone was aghast. I went by my own 
          conviction.  
           
          Again, in "Yuva" I'm completely different from what I am in my next 
          release "Kyun Ho Gaya Na". I don't want audiences to say, 'Oh he's done 
          that already.' It's convenient to fall into the image trap. But I hate 
          to be summarised in one word, unless that word happens to be 'versatile' 
          ha ha.  
           
          What's "Yuva" about?  
            Like 
          "Masti", "Yuva" is also a three-hero film. It addresses itself to the 
          youth's problems through three characters. The first played by Ajay 
          Devgan is the scrupulous conscientious kind who's looking at defining 
          and galvanising the nation's youth. The second character played by Abhishek 
          Bachchan is the grab-and-run ruthless kind. In the last segment comes 
          me, Arjun Balakrishnan... the complete happy-go-lucky guy who isn't 
          serious about anything in life.  
          I'm so glad Mani Sir wanted me only for this character. There's so much 
          energy in him. He has a lust for life and he's commitment-phobic. He'd 
          like to believe he's a superficial dude. He believes looking out for 
          one's own interest is the solution to all the world's problems. He wants 
          to earn big bucks and walk with a blonde and a brunette on each arm. 
          I fell in love with my character.  
           
          Like "Masti", "Yuva" is about male bonding.  
          Yeah. But then there are different kinds of male bonding. Shooting "Yuva" 
          I discovered two brothers. Ajay and I go back a long way. And Abhishek 
          is a cool dude. When I had my accident on the bridge in Kolkata, a very 
          special bonding developed among us and our director Mani Ratnam.  
           
          You know, after the accident there was a comedy of errors. The driver 
          took us to the wrong hospital. When we reached there they said, 'Sorry, 
          this a heart hospital.' I was laughing through my pain. I went into 
          the right hospital joking with Abhishek, flirting with all the Kolkata 
          nurses and pulling the doctors' legs. Then the rest... back to Mumbai, 
          lung collapse...  
           
          The friendship with Ajay, Abhishek and Mani Sir, who kept inquiring 
          about my recovery, was the best part of "Yuva". The most difficult thing 
          for me was to go back to that bridge in Kolkata to shoot. It was scary. 
          All the memories of trauma in the hospital came back to me. My co-stars 
          and director eased my tension by mimicking my pain.  
           
          How's Mani Ratnam as a director? 
           
          It's such a privilege and honour to work with him. The first time he 
          called was after "Company" was released. He said 'Good job'. Then he 
          called to congratulate for "Saathiya" and said he'll call me again very 
          soon. When he called for "Yuva" I was shocked. I was dancing like an 
          excited school kid. I was the first guy to be called, to read the script. 
          And the character I loved the most was mine.  
           
          There are two ways to act. One is the ordinary way and the other is 
          the Mani Ratnam way. He pushes you so hard to improve yourself. He'll 
          congratulate you for a shot and then quietly say, 'Let's do it again.' 
          And everything looks so different in a Mani Ratnam film. It's so interesting. 
           
           
          Is there room for romance in "Yuva"? 
           
            I 
          think the love story between Kareena and me brings in a lot of effervescence 
          in the plot. I think Kareena is brilliant in "Yuva". I remember the 
          first day of shooting when Mani Sir calmly wanted her to be different 
          from her usual self. But she didn't know what he wanted her to do. I 
          knew exactly what she was feeling. I told her to relax.  
           
          I knew "Yuva" would be her most outstanding performance to date and 
          I was right. She's so real and interesting to watch. She's done a great 
          job. We shared a terrific comfort level. Kareena and I bonded immediately. 
          When we shot at sea for the "Anjaana" song, she was seasick half the 
          time. I was taking care of her throughout, pulling her to the shore, 
          and pulling her back for the shot before she threw up again.  
           
          Is "Yuva" a step ahead for you?  
          Definitely. I think "Yuva" is my best performance to date. I'm also 
          looking forward to the release of Subhash Ghai's "Kissna" by year-end. 
        
   
        
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